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Home Screen Meters Screen Routing Screen Setup Screen Libraries Screen Assign Screen Terminals marked with this symbol carry electrical current of sufficient magnitude to constitute risk of electric shock. All other installation or modification should be performed only by qualified personnel. This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the. To reduce the risk of electric shock, do not remove the top cover or the rear section.
To reduce the risk of fire or electric shock, do not expose this appliance to rain and moisture. The apparatus shall not be exposed to dripping. To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions. Repairs have to be performed by qualified service personnel. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other.
A grounding-type plug has two blades and a third grounding prong. The wide. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. Unplug this apparatus during lightning storms or when unused for long periods of time.
Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed. Where the MAINS plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.
Do not use this apparatus near water. Do not block any ventilation openings. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus including amplifiers that produce heat.
Trident Chambers, Wickhams Cay, P. Limited Warranty, please see complete details online at www. Welcome to the X32 User Manual! After years of intense development, we are proud to offer a mixer that combines tremendous power and flexibility with a very user-friendly layout and intuitive workflow that allow you to get up-and- running right away.
Employing motorized faders and rotary encoders along with a daylight-viewable TFT screen, the control surface is designed to allow. A separate external mic input and the internal talkback mic allow communication to various destinations.
Motorized faders, recallable mic preamps, programmable routing and the ability to save and recall entire scenes make set or program changes quick and simple.
A top panel USB connector enables system data to be stored or a board mix to be recorded directly to external flash or hard drives. FX returns. A separate section of 8 motorized faders controls DCA groups , bus masters and as well as matrices A custom assignable section allows certain control functions to be mapped directly to a set of dedicated knobs and buttons.
A main 7″-wide, high-contrast color display provides information for editing pertinent parameters of the active function or effect. Each channel also features a small, customizable LCD screen for track name, number, color and source graphic. A virtual FX rack offers 8 true-stereo 16 mono multi-effects processors, with 37 FX models that eliminate the need for any additional outboard gear.
The X32 integrates seamlessly with other X32 consoles, the S16 digital stage box and the P personal monitoring system for complete live, studio and installed sound solutions. Control the mixer from a distance with the free iPad app or with editing and remote control software connected via Ethernet.
Continue through this User Manual to learn all about the functionality that this powerful mixer has to offer! We also recommend that you check. This chapter will give you an overview of the basic operations of the mixer, allowing you to get up and running quickly.
More specific details about various functions can be referenced later in the manual. Throughout the top panel of the console, you will find small buttons labeled View.
For example, if you are editing the equalizer and feel like seeing a large display of the EQ frequency response curve or corresponding EQ parameter value, simply press the adjacent View button in the EQ section.
If you need to check where the talkback signal is being routed, simply press the View button next to the Talk button and the main display will show the details. With the View button approach of the X32 console, there is almost never a need to drill down through multiple menu pages, since the View buttons will always take you directly to the relevant screen. For example:. To adjust controls for a given channel strip, simply press the Select button on the desired input or output channel.
Certain sections of the channel strip such as the low cut filter, noise gate, EQ and compressor contain a respectively labeled button that can be pressed to switch the specific effect on and off. The button illuminates to show the effect is active, and goes dark when bypassed. For example, if an output bus is currently selected,. Each of these subsections correspond to the processing steps of the currently selected channel, and they each have their own View button that, when pressed, switches the Main Display to a page displaying all related parameters for.
You will find a select button on top of every channel that is used to direct the control focus of the user interface, including all channel related parameters channel strip and main display , to that channel.
DCA Groups digitally controlled amplifier cannot be selected because they control a number of assigned channels rather than one specific channel. The Input Channels section of the console is located on the left hand side, and offers 16 separate input channel strips.
These 16 channel strips represent three separate layers of inputs for the console, including:. Press any of the correspondingly labeled layer buttons on the left side of the console to switch the input channel bank to any of the three layers listed above.
The button will illuminate, reminding you which layer is active. On each fader strip you will find a motorized mm level fader, Mute and Solo buttons, a Gate indicator, an input level meter, Compressor indicator, and the channel select button. Each of the 16 input channels has an individual and customizable color LCD screen that can display a channel number, nickname, and even a graphical channel icon.
The main color display presents information about various sections of the console. The top section of the main display permanently covers useful status information. The top left corner shows the selected channel number, its nickname and the selected icon. The next block shows the current scene number and name in amber, as well as the next upcoming scene. The center section displays the playback file name along with elapsed and remaining time and a recorder status icon.
The next block to the right has 4 segments to show the status of AES50 ports A and B, the Card slot and the audio clock synchronization source and sample rate top right. Small green square indicators show proper connectivity. When working with any given screen, press the Page keys located on the display bezel to switch to different screen pages.
Editing parameters or settings on each of the screens is done using the 6 associated push-encoders along the bottom edge of the display. There are two separate Level controls in this section, one for the headphone outputs located on either side of the console, and a second one for the monitor outputs located on the rear panel. This section also contains independent Talkback buttons A and B. This section of the console offers eight channel strips, divided into the following layers:.
This section also contains a main LR output fader, which is independent and always available no matter which channel bank or layer is active. When using any of the output bus layers, note that the bottom LEDs on the meters in this section illuminate when the respective bus is fed from pre-fader sources of the selected channel.
Thanks to the two distinct fader groups inputs on the left, outputs on the right , the task of assigning channels or buses to a virtual DCA Group is a breeze on the X Simply hold the respective DCA Group Select button on the right-hand side of the console, while pressing the select buttons for all the input channels that you wish to assign to said DCA Group.
You can also press the DCA Group Select button in order to check which channels are already assigned to it. The assigned channel Select buttons will light up. The mute group assignment process is similar to the above, but is designed with an additional precaution in order to prevent accidental muting of channels during a show.
While holding the desired Mute Group button, select the desired input and output channels, which will now be assigned to the Mute Group. When you are done with assignment, switch off Mute Grp at the display, and the 6 Mute Group buttons will work as intended. The Assign section of the console offers three banks: A, B, and C. The Jump-to-Page control is a special target type that does not alter any audio parameter, but rather brings you directly to any specified display page.
Buttons that had been used for Jump-to-Page previously can easily be reassigned to the current display view by holding the respective set button A, B or C depressed while pushing the desired assignable button. This method is more convenient than reassigning the jump function through the Assign menu. The X32 console features a very useful function that can be accessed by pressing the dedicated Sends on Faders button, located between the two fader sections.
The Sends on Faders function aids with level setting of channels sent to any of the 16 Mix Buses. The Sends on Faders function works in two convenient ways to cover the most obvious situations in a live sound environment :. The option to use Sends on Faders in both ways, selecting an input or an output channel, is a special feature of the X In addition, there are two AES50 ports, each featuring 48 input and output channels, and a card slot for 32 channels of input and output to and from a connected computer via USB 2.
Note: All signal blocks patched to the audio processing will be connected to the corresponding input channels automatically. Output Signals can be freely assigned from any internal signal to any of the following outputs:. Any and all of the above signals can also be mirrored in blocks of 8 signals on either one of. Input Channels are pre-configured to use the first 32 input signals,.
Logic X and Behringer X32 complete integration – replace.me
If you are indeed new to recording and logic pro x behringer x32 free, please feel free to post a thread topic here if logic pro x behringer x32 free is something you are curious about – there are no stupid questions! On the other hand, if you are a seasoned pro, please don’t hesitate to jump in and offer your experience and wisdom. We all had to start somewhere! Looking for a buyer’s guide? We’ve got those too – click here to see an ever-growing list of community-voted “top ten” lists.
When you buy products through links across our site, we may earn an affiliate commission. Learn more Thank you Gearspace. I would like to be able to use it as an audio interface and a control surface. I think I may have watched all the youtube vids on this and still am stuck.
I am able to record into the X32 and then Logic accepts it and I can see all the Audio being recorded. However some problems: 1 Do I always need to change the routing local to card on the X32 to hear what I’ve just recorded больше информации not what is going on in the live room? I have set up the control surface on logic to mackie control and they are corresponding with each other- I just can’t hear anything! I have tried to change it to post fader but nothing happens.
I hope someone is able to understand what I’m going on logic pro x behringer x32 free here! I am very confused and would really appreciate someone taking the time to logic pro x behringer x32 free me.
Look forward to hearing from someone! John PS I have read the post on here about the person using a focusrite press but didn’t really help me as I want to use the press on the X32 and it all to be as simple as possible for my simple brain. There are enough similarities between the full-boat X32 and the X32 Producer for me to be of some help to you. They will not be used any longer as inputs for tracking, but you won’t miss them.
Effects like gain and compression on the DAW channels coming from the computer need not be engaged, so there’s no work to do there. You’ll have to spend some time customizing the array of USER buttons and encoders to get full use out of the Mackie Control emulation. There are many adobe 2015 portable free download of things to say about getting this all configured. You’re in a rather flexible area where menu choices in the X32 and in the DAW have to be harmonized in order to have a simple and consistent view of what signals are going where.
I hope this gives you a good start. If you’re near Raleigh, NC, I can stop by to help. By using this site, you agree to our use of cookies. Code by Port Forward. Hosted by Nimbus Hosting. Remember Me? The No. Today’s Posts competitions support us FAQ advertise our advertisers newsletter.
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