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Fortunately, with Amberscript it can be done automatically and in a few minutes. Check out our products. I didn’t know this site, this software. I need to have a transcription, I tested here the free automatic transcript, My honest opinion throughout the last couple of weeks has been that the team behind Amberscript is unbelievably reliable. The tool is really helpful and easy to understand.

I could start transcribing immediately and the surface for editing the As a researcher, I have been using Amberscript to transcribe interviews and have been very happy with it. I found Its latest version is Adobe Audition which was released in October You can visit its official website for having information about other details of it. Start Your Free Design Course. I am sure now you have curiosity about how to use this software for recording as well as editing your audio file.

So let us start our discussion about it. Once you start it the first time after installation it will open like this. This is its welcome screen. Now, this is the user interface of this software. Here at the very top of it, there is a Menu bar section that has a number of menus such as File menu, Edit menu, Multitrack menu, and so on. In these menu tabs, we have several options which help in our editing and recording work. No customer reviews. Your recently viewed items and featured recommendations.

Back to top. Get to Know Us. Make Money with Us. Amazon Payment Products. Let Us Help You. The results are less buzzy than with Pure Tones mode, with the ability to simulate noise cleanly as well. Individual lines in the source image are translated to individual frequency harmonics that follow the contour of the original image.

Grass, whiskers, branches, and other features with lines are reproduced as spectral lines, providing a pen-and-ink or woodblock-print effect. Subtle patterns in the image are also preserved and audible. By contrast, the two other modes above lose pattern detail. Log Amplitude or Linear Transfer Converts brightness values into audio amplitude either logarithmically interpreting color data as decibels or linearly interpreting color data as amplitude percentages.

High resolution is recommended if the bitmap image is an exported spectral graph that you modified in an image-editing application such as Adobe Photoshop. Reset Returns all settings to the defaults, which are best for importing to a new file.

Opening and adding to sessions in Multitrack View Create a new session Session files contain no audio data themselves. Instead, they are small files that point to other audio files on the hard drive. A session file keeps track of which files are a part of the session, where they are inserted, which envelopes and effects are applied, and so on.

To determine supported sample rates, consult the documentation for the card. Note: All files added to a session must share the sample rate. If you attempt to import files with different sample rates, Adobe Audition prompts you to resample them, which may lower audio quality. Note: Only one session can be open at a time. This default can also serve as a template for new sessions, letting you share settings, such as track inputs and volume levels, across multiple sessions.

Clearing a default session does not affect the session files themselves. It simply prevents Adobe Audition from automatically opening a specific session each time you start the application. If the session contains clips, click Yes in the dialog box that appears.

Insert an audio file into a session When you insert an audio file in Multitrack View, the file becomes an audio clip on the selected track. Note: For Broadcast Wave files, Adobe Audition can use the embedded timestamp to place files at the proper start times. To preview the contents of selected files, click Play or select Auto Play.

Select Loop to repeat previews and Stop to end them. This is commonly called spot inserting. Adobe Audition inserts an audio clip at the designated start time. Click the Broadcast Wave tab. The timestamp value appears as the Time Reference. The Files panel also provides a variety of advanced options that let you show and hide markers, change the sort order of files, and play individual files.

You can show or hide advanced options by clicking the Show Options button in the upper right corner of the panel. You can select any audio, MIDI, or video files available on your computer or network. Note: If you select multiple files, only the last file you click opens in Edit View.

Click the plus-sign to display the marker names. Preview audio in the Files panel The Files panel provides several play options that make it easy to preview loops and other files. These options are particularly handy when you work in Multitrack View because they let you preview loops at the session tempo. Click the Stop button to stop the preview.

Use the volume knob to adjust the volume of the preview. Loop-enabled files are identified with a loop icon. Adobe Bridge is a cross-platform application that helps you locate, organize, and browse the assets you need to create audio, video, and web content. Digital extraction also known as ripping is the recommended method because it produces higher-quality audio than internal recording.

The Open command is the quickest method and is preferred for ripping entire tracks. The Extract Audio From CD command gives you more control, including the ability to rip partial tracks, access online CD databases, and customize the ripping process. This method is called internal recording.

Keep in mind that not all PCs have an analog cable from a CD drive, and not all computers react the same way when recording from CD internally. As a result, this method is never preferable to extracting digitally from CD. If necessary, set remaining interface options.

In the Start box, enter the beginning frame. In the Length box, enter the total number of frames you wish to extract. Each second of CD audio has 75 frames. The resulting start and length times appear in Min:Sec:Frame format to the left of their respective boxes.

The range bar provides a graphical representation of how much audio will be extracted and where the audio appears within the CD. The option above is great for pulling hidden tracks from CDs, or for joining tracks that have been broken up by track indexes such as live performances. Select the desired tracks, and then set any of the following options: Extract To Single Waveform Creates one audio file from all selected tracks.

Artist, Album, Genre, Year Adds track information you either manually enter or acquire automatically from a CD database. To rename a track, double-click it. Clear Removes all existing track information. Configure Opens the Configure Titles dialog box, where you specify an online CD database and determine title format. Several methods are provided, many of them developed before the SCSI 3 specifications were published. All SCSI devices are required to support this setting.

The Max Maximum Speed option usually produces satisfactory results, but if it produces errors, specify a slower speed. Buffer Size Specifies how much data Adobe Audition calls into the CD Extraction module to fetch, therefore determining how much data is pulled from the CD in each call to the read command.

The default is 16 KB, but you can experiment with other sizes which range all the way to the highest buffer size the CD-ROM drive supports. Although higher sizes mean faster ripping, they could introduce errors into the ripped file.

Normally, you should leave this option deselected; select it only if the extraction process seems to work fine but the audio results contain only digital noise. Swap Channels Places the left channel of CD audio in the right channel of the Main panel, and places the right channel of CD audio in the left channel of the panel. The latter compensates for data reading problems that older drives might have. You want the input level to be as loud as possible without exceeding 0 dB.

If the input level exceeds 0 dB, clipping occurs. Adjust the CD Player input level as desired. Getting ready for recording and playback Transport panel overview Just like many hardware-based audio recording and playback devices, Adobe Audition provides transport controls for playing, recording, stopping, pausing, fast forwarding, and rewinding waveforms and sessions.

Right-click buttons in the panel to set options for playing, recording, fast forwarding, and rewinding audio. You set the start-time indicator to start playback or recording at a specific point in a waveform. As you listen to audio files, the playback cursor moves, showing you the current time in the waveform. The default time format is Bars and Beats, but you can easily change it.

The same format is used by the timeline along the bottom of the Main panel. Start-time indicator B. Playback cursor C. Timeline D. After you set the start-time indicator, you can save it as a marker for later reference. Synchronize the start-time indicator across files or views In Edit View, you can maintain the position of the start-time indicator when you switch between files—a useful technique when editing different versions of the same waveform.

In Multitrack View, you can maintain the position of the start-time indicator when you switch to Edit View, a useful technique when applying edits and effects in both views.

Click the Pause button again to resume playback or recording. Places the playback cursor at the beginning of the next marker. If there are no markers, the playback cursor moves to the beginning of the waveform or session.

This function supports scrubbing, meaning that on some sound cards, the audio file plays back at a lower volume as the playback cursor shuttles over the waveform or session. Right-click the Rewind button to set the rate at which the cursor moves. Shuttles the playback cursor forward in time.

Fast Forward Right-click the Fast Forward button to set the rate at which the cursor moves. If there are no markers, the playback cursor moves to the end of the waveform or session.

Compact Disc 75 fps Displays time in the same format utilized by audio compact discs, where each second equals 75 frames.

SMPTE Samples Displays time numerically, using as a reference the actual number of samples that have passed since the beginning of the edited file. Bars and Beats Displays time in a musical measures format of bars:beats:ticks. To adjust the settings, choose Edit Tempo. Before recording, you may need to adjust the input signal to optimize signal-to-noise levels. When you finish, click the Stop button.

Repeat to reenable the button. A check mark indicates that Timed Record Mode is enabled. Recording Length Records for a limited period of time, which you type into the box, using the same display time format such as Decimal or Bars And Beats as the Main panel time display. Enter the starting time and date in the appropriate text boxes, and set the desired time and date options. Direct-to-file recording lets you quickly record and save multiple clips, providing tremendous flexibility.

Prior to recording in a session, you must save it so that Adobe Audition can store recorded clips in the session folder. After recording, you can edit takes to produce a polished final mix. For example, if you create multiple takes of a guitar solo, you can combine the best sections of each solo. Or, you can use one version of the solo for a video soundtrack, and another version for an audio CD. When you overdub tracks, you listen to previously recorded tracks and play along with them to create sophisticated, layered compositions.

Each recording becomes a new audio clip on a track. Note: If you have a consumer sound card, you must also select the proper source in the Windows Recording Control mixer. If you enable a track for recording in an unsaved session, the Save Session As dialog box appears. Specify a name and location, and click Save. You can choose whether to hear an input all the time, or only when you reach a recordable portion of a track, such as a blank area or a punch-in range.

DirectSound cards increase latency an audible delay that disrupts timing for musicians. When playing back, monitors only the clips on the track, not the input. Always Input Monitors the input at all times during playback and recording.

Any existing clips on the input track are not played. Hear inputs without effects applied to tracks To avoid latency an audible delay when recording in Multitrack View, you may prefer to hear inputs directly from the sound card, without routing them through effects and sends in Adobe Audition. Loop while recording in Multitrack View If you loop while recording, Adobe Audition saves a new clip for each take.

This feature is ideal for difficult musical passages. Simply loop while recording until the performer produces the perfect take. Or combine the best parts of each take to create a new clip. If a range is selected, looping occurs when the cursor reaches the end of the range. Though you can record into a specific range without punching in, punching in lets you hear audio immediately before and after a range; that audio provides vital context for creating natural musical transitions.

Adobe Audition saves two seconds of audio on either side of a punch-in range, so you can seamlessly edit and crossfade takes. Note: You can’t punch into a loop-enabled clip. A take created with the Punch In command 1 In the Main panel, drag the Time Selection tool in the appropriate track to select a time range for the clip. The Arm For Record button for the track is now activated in the Main panel. For example, you can play the visible portion of a file, the area from the start-time indicator to the end of the file, or the entire file.

To start playback without using the Transport panel, press the space bar. Press the space bar again to stop playback.

This option is the default for the circled Play button. This option is the default for the standard Play button. To restrict playback to a selected time range, select one of the Play From Cursor options above. Play Entire File Plays the complete file. Note: By default, the Main panel scrolls in sync with playback that extends beyond the visible section of a waveform.

In the General tab of the Preferences dialog box, you can customize auto-scrolling options or disable this feature. Loop Entire Or Selection Plays the entire file or selected range in a loop.

Playing preroll and postroll lets you hear transitions so that you can fine-tune a selection. Play audio by scrubbing The term scrubbing comes from the process of manually rotating the reels of analog audio tape to play back audio. Dragging this tool slowly plays audio at a slower rate; dragging it quickly increases playback speed up to the regular rate. In Multitrack View, the Scrub tool scrubs individual tracks.

To scrub all tracks, drag the start-time indicator. To scrub only one channel, drag at the top or bottom of the panel. Do not release the mouse button. The remaining audio plays at a speed comparable to the rate at which you dragged. Click OK. Monitoring recording and playback levels Level meters overview To monitor the amplitude of incoming and outgoing signals during recording and playback, you use level meters. Edit View provides these meters only in the Levels panel.

Multitrack View provides them in both the Levels panel, which shows the amplitude of an entire session, and track meters, which show the amplitude of individual tracks. You can dock the Levels panel horizontally or vertically. When the panel is docked horizontally, the upper meter represents the left channel, and the lower meter represents the right channel. Left channel B. Right channel C. Peak indicators D.

Yellow peak indicators remain for 1. If amplitude is too low, sound quality is reduced; if amplitude is too high, clipping occurs and produces distortion. The red clip-indicator to the right of the meters lights up when levels exceed the maximum of 0 dB.

Meter Inputs Only Restricts monitoring to inputs. By default, multitrack meters show both input and output levels. Show All Meters Displays input and output meters for all audio ports in the Levels panel. This option lets you quickly evaluate all levels in one place.

If your system has a large number of audio ports, you may need to resize the Levels panel to reveal meters for all of them. To quickly enable or disable this option, double-click the meters.

Disabling them improves performance on slower computers. Then select any of the following options: Range options Change the displayed decibel range. Show Valleys Shows valley indicators at low-amplitude points. If valley indicators are close to peak indicators, dynamic range the difference between the quietest and loudest sounds is low. If the indicators are spread far apart, dynamic range is high.

During recording, any offset is indicated by clip indicators in the meters. Note: Select Adjust For DC if your sound card records with a DC offset, shifting the center of the waveform above or below the zero amplitude line.

This offset can dramatically shift the amplitude measured by meters, causing them to display levels inaccurately. Dynamic or Static Peaks Change the mode of peak indicators.

Dynamic Peaks resets the yellow peak level indicators to a new peak level after 1. As the audio gets quieter, the peak indicators recede. However, you can manually reset peak indicators by clicking clip indicators.

To find out how loud audio will get before you record it, choose Static Peaks. Then monitor input levels and play the audio. After the audio ends, the peak indicators show the volume of the loudest part.

Adjust levels for a consumer sound card You may need to adjust levels if recordings are too quiet causing unwanted noise , too loud leading to clipped, distorted sound , or inaudible when played in Adobe Audition. To get the best sounding results, you should record audio as loud as possible without clipping.

Try to keep the loudest peak somewhere between —2 dB and 0 dB when setting recording levels. For a professional sound card, you adjust these levels with the mixer application provided with the card. For consumer sound cards, however, you use the mixer provided by Windows. On many systems, you can also double-click the speaker icon in the system tray. Below the sliders, ensure that Mute is deselected. Select the input source you want to use, and adjust Volume sliders as needed. Each shows you a different visual representation of sound waves.

If you open a stereo file, the left channel appears at the top and the right channel appears at the bottom. If you open a mono file, its single channel fills the total height of the Main panel.

The x-axis horizontal ruler measures time, and the y-axis vertical ruler measures amplitude—the loudness of the audio signal. Quiet audio has both lower peaks and lower valleys than loud audio. You can customize Waveform Display by changing the vertical scale, colors, and line visibility. With its clear indication of amplitude changes, Waveform Display is perfect for identifying percussive changes in vocals, drums, and more.

To find a particular spoken word, for example, simply look for the peak at the first syllable and the valley after the last. This view lets you analyze audio data to see which frequencies are most prevalent. Brighter colors represent greater amplitude components.

Default colors range from dark blue low-amplitude frequencies to bright yellow high-amplitude frequencies. Spectral Frequency Display is perfect for removing unwanted sounds, such as coughs and other artifacts. This is known as frequency-space editing.

Brighter colors represent louder audio signals. That effect lets you isolate frequencies that are common to both the left and right channels in other words, sounds that are panned center. In some cases, you may find that the audio you want to isolate is slightly off-center. Views Downloads File size 1MB. Graham Cochrane here. My hope is that thi. Praktek Multimedia Pengolahan Pada Suara 1. Mixing combines all of the disparate tracks into one audio file.

Mastering applies a set of effects to the mixed audio, making it sound sonically coherent.

 
 

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Zur Reproduktion einer bestimmten Frequenz muss die Abtastrate mindestens doppelt so hoch sein wie die Frequenz. So wie die Abtastrate den Frequenzbereich bestimmt, legt die Bittiefe den Dynamikbereich fest. Bei einer Abtastrate von Dadurch lassen sich bis zu Minuten in einem Megabyte unterbringen. Die Soundkarte legt auch die zu verwendende Abtastrate und Bittiefe fest. Adobe Audition speichert die Samples, bis Sie die Aufnahme anhalten. Adobe Audition sendet eine Reihe digitaler Samples an die Soundkarte.

Die Soundkarte rekonstruiert die originale Wellenform und sendet sie als analoges Signal an den Lautsprecherausgang.

Um noch einmal zusammenzufassen: Der Prozess des Samplings bzw. Ein Mikrofon wandelt diese Druckwelle in unterschiedliche Spannungen um. Nachdem analoger Sound in digitale Audiodaten umgewandelt wurde, kann er mit Adobe Audition aufgezeichnet, bearbeitet, verarbeitet und abgemischt werden. Ihrer Fantasie sind hierbei keine Grenzen gesetzt. Audio bearbeiten 3.

Effekte anwenden 4. In der Bearbeiten-Ansicht bearbeiten Sie einzelne Audiodateien, stellen sie wieder her und verbessern sie, wie z. OffKommentare, alte Vinylaufnahmen und vieles mehr. Um eine akustische Collage zu erstellen, kombinieren Sie die Audiodateien aus mehreren Dateien.

Clips anordnen 4. Anwenden von Effekten 5. Tracks mischen 6. Arrangieren und bearbeiten Sie im Hauptbereich die Clips in der Timeline. Automatisieren Sie dann die Effektund. Mischeinstellungen mit der Zeit, um eine dynamische, sich entwickelnde Mischung zu erstellen, die verschiedene Musikpassagen hervorhebt. Symbolleiste D. Hauptbereich F. Verschiedene andere Bereiche G. In der Bearbeitenund der Multitrack-Ansicht werden unterschiedliche Bearbeitungsmethoden mit jeweils spezifischen Vorteilen eingesetzt.

Bildlaufleisten ziehen C. Mit der rechten Maustaste auf Lineale klicken und ziehen. Setzen Sie den Mauszeiger auf die entsprechende Bildlaufleiste oder das Lineal und drehen Sie das Mausrad, um auf diese Weise zu zoomen. Horizontale Bildlaufleiste B. Vertikale Bildlaufleiste nur Multitrack-Ansicht C. Vertikales Lineal nur Bearbeiten-Ansicht D. Horizontales Lineal. Im Bereich werden diese Daten im aktuellen Zeitformat angezeigt, z.

Die Videound Audioanwendungen von Adobe bieten einen einheitlichen anpassbaren Arbeitsbereich. Werkzeugbedienfeld, Eigenschaftenbedienfeld, Schnittfensterbedienfeld usw. Das Hauptfenster eines Programms wird als Anwendungsfenster bezeichnet. Die verschiedenen Bedienfelder in diesem Fenster werden in einem Arbeitsbereich angeordnet.

Sie passen den Arbeitsbereich an, indem Sie die Bedienfelder so anordnen, wie es Ihren spezifischen Anforderungen entspricht. Anwendungsfenster B. Gruppierte Fenster C. Einzelnes Bedienfeld. Verankerungsbereiche befinden sich entlang der Rahmen von Bedienfeldern, Gruppen oder Fenstern. Gruppierungsbereiche befinden sich in der Mitte eines Bedienfelds oder einer Gruppe sowie entlang des Registerkartenbereichs eines Bedienfelds.

Durch das Gruppieren von Bedienfeldern werden diese gestapelt. Der Zeiger wird als Vierfachpfeil angezeigt. Setzen Sie ggf. Wenn Sie mit mehreren Monitoren arbeiten, wird das Anwendungsfenster auf dem Hauptmonitor und das frei verschiebbare Fenster auf dem zweiten Monitor angezeigt.

Die Monitorkonfigurationen werden im Arbeitsbereich gespeichert. Bearbeiten-Ansicht-Symbolleiste in Spektralfrequenzanzeige B. Daten unter Cursor B. Sample-Format C. Freier Speicherplatz F. Freier Speicherplatz Zeit G. Tastatur-Modifikatoren H. Wenn in der Bearbeiten-Ansicht in der Statusleiste z. In der Multitrack-Ansicht werden noch weitere Daten angezeigt, z. Eine Stereodatei mit Ist in Adobe Audition z.

Frequenzraumbearbeitung Entspricht der Standardanordnung der Bearbeiten-Ansicht, wobei im Hauptbereich jedoch die Spektralfrequenzanzeige angezeigt wird. Um ein bestimmtes Layout dauerhaft zu nutzen, speichern Sie einen benutzerdefinierten Arbeitsbereich. Andernfalls sollte diese Option deaktiviert sein. Optimal sind Werte zwischen 10 und 80 Prozent. Sie wird nur wirksam, wenn vor der Anwendung des Effekts noch kein Bereich hervorgehoben ist.

Wenn Sie eine niedrigere Zahl festlegen, wird mehr Speicherplatz freigegeben, es gehen jedoch mehr Aktionen verloren. When the pointer becomes a magnifying glass with arrows , drag left or right, or up or down. The magnifying glass icon appears, creating a selection that shows you the range that will fill the Main panel.

The magnifying glass icon appears, creating a selection of the range that will fill the Main panel. To zoom with the mouse wheel, place the pointer over the appropriate scroll bar or ruler, and roll the wheel. In Edit View, this zoom method also works when the pointer is over the waveform. You can set the percentage of this zoom on the General tab of the Preferences dialog box.

At higher zoom levels, you may need to scroll to see different audio content in the Main panel. To change the placement of a horizontal scroll bar, right-click it, and choose Above Display or Below Display.

This sets the position of the scroll bar for only the current view Edit View or Multitrack View. Horizontal scroll bar B.

Vertical scroll bar Multitrack View only C. Vertical ruler Edit View only D. Horizontal ruler. To scroll through tracks with the mouse wheel, place the pointer over the track display, and roll the wheel. The panel displays this information in the current time format, such as Decimal or Bars And Beats.

Adobe video and audio applications provide a consistent, customizable workspace. Although each application has its own set of panels such as Tools, Properties, Timeline, and so on , you move and group panels in the same way across products. The main window of a program is the application window. Panels are organized in this window in an arrangement called a workspace. The default workspace contains groups of panels as well as panels that stand alone. You customize a workspace by arranging panels in the layout that best suits your working style.

You can create and save several custom workspaces for different tasks—for example, one for editing and one for previewing. You can drag panels to new locations, move panels into or out of a group, place panels alongside each other, and undock a panel so that it floats in a new window above the application window. As you rearrange panels, the other panels resize automatically to fit the window. You can use floating windows to create a workspace more like those in previous versions of Adobe applications, or to place panels on multiple monitors.

Application window B. Grouped panels C. Individual panel. For a video about the Adobe workspace, see www. You can dock panels together, move panels into or out of a group, and undock a panel so that it floats in a new window above the application window.

As you drag a panel, drop zones —areas onto which you can move the panel— become highlighted. The drop zone you choose determines where the panel is inserted, and whether it docks or groups with other panels.

Docking zones exist along the edges of a panel, group, or window. Docking a panel places it adjacent to the existing group, resizing all groups to accommodate the new panel. Grouping zones exist in the middle of a panel or group, and along the tab area of panels. Grouping a panel stacks it with other panels. When you undock a panel in a floating window, you can add panels to the window or otherwise modify it, as you do the application window. You can use floating windows to make use of a secondary monitor, or to create a workspace like those in earlier versions of Adobe applications.

Undock Frame undocks the panel group. When you release the mouse button, the panel or group appears in a new floating window. If the application window is maximized, drag the panel to the Windows task bar. When you position the pointer over dividers between panel groups, resize icons appear. When you drag these icons, all groups that share the divider are resized.

For example, suppose your workspace contains three panel groups stacked vertically. Do not press Shift. Press the tilde key again to return the panel to its original size. The pointer becomes a double-arrow. The pointer becomes a four-way arrow.

Original group with resize icon B. Resized groups. Even if a panel is open, it may be out of sight, beneath other panels. Choosing a panel from the Window menu opens it and brings it to the front.

When you close a panel group in the application window, the other groups resize to make use of the newly available space. When you close a floating window, the panels within it close, too. To increase the available screen space, use multiple monitors. When you work with multiple monitors, the application window appears on the main monitor, and you place floating windows on the second monitor. Monitor configurations are stored in the workspace.

The toolbar provides quick access to tools, the Workspace menu, and buttons that toggle between Edit, Multitrack, and CD View. Some tools are unique to each view. Likewise, some Edit View tools are available only in spectral displays. By default, the toolbar is docked immediately below the menu bar. However, you can undock the toolbar, converting it to the Tools panel, which you can manipulate like any other panel.

A check mark by the Tools command indicates that it is shown. Multitrack View toolbar. The shortcut bar displays buttons that provide quick access to commonly used functions. The shortcut bar appears in the upper part of the application window, below the menu bar and the default location of the toolbar.

To identify a button, place the pointer over the button until a tool tip appears. The status bar runs across the bottom of the Adobe Audition work area. You can show or hide the status bar and select which types of information appear there. Data Under Cursor B. Sample Format C. File Size D. File Size Time E. Free Space F. Free Space Time G. Keyboard Modifiers H. Display Mode. A check mark indicates that the status bar is visible. Data Under Cursor Shows information such as channel for stereo files , amplitude measured in decibels , and time hours:minutes:seconds:hundredths of seconds from the beginning of the audio file.

This data changes dynamically when you move the pointer. For example, if you see R: — Sample Format Displays sample information about the currently opened waveform Edit View or session file Multitrack View. For example, a 44, kHz bit stereo file is displayed as — bit — stereo. File Size Represents how large the active audio file is, measured in kilobytes. If you see K in the status bar, then the current waveform or session is kilobytes KB in size.

File Size time Shows you the length measured in time of the current waveform or session. For example, means the waveform or session is 1. CD or 80 min. Free Space time In Edit View and Multitrack View, displays the time remaining for recording, based upon the currently selected sample rate. This value is shown as minutes, seconds, and thousandths of seconds.

For example, if Adobe Audition is set to record 8-bit mono audio at 11, kHz, the time remaining might read Change the recording options to bit stereo at 44, kHz, and the time remaining becomes For example, To return to the original setting, click Reset UI.

Each Adobe video and audio application includes several predefined workspaces that optimize the layout of panels for specific tasks. These workspaces optimize the arrangement of panels for specific tasks.

You can customize any predefined workspace. Maximum Session Dual Monitor Arranges the Multitrack View work area for a two-monitor setup, displaying the Main panel and application window on one monitor and other panels on the second monitor, providing maximum view of the Main panel display.

Maximum Waveform Editing Dual Monitor Arranges the Edit View work area for a two-monitor setup, displaying the Main panel and application window on one monitor and other panels on the second monitor, providing maximum view of the Main panel display. As you customize a workspace, the application tracks your changes, storing the most recent layout.

To store a specific layout more permanently, save a custom workspace. Saved custom workspaces appear in the Workspace menu, where you can return to and reset them. Type a name for the workspace, and click OK. Note: If a project saved with a custom workspace is opened on another system, the application looks for a workspace with a matching name. Note: You cannot delete the currently active workspace.

You can use a wide range of hardware inputs and outputs with Adobe Audition. Sound card inputs let you bring in audio from sources such as microphones, tape decks, and digital effects units.

Sound card outputs let you monitor audio through sources such as speakers and headphones. Sound card inputs connect to sources such as microphones and tape decks.

Sound card outputs connect to speakers and headphones. Some cards support both types of drivers. ASIO drivers are preferable because they provide better performance and lower latency. You can also monitor audio as you record it and instantly hear volume, pan, and effects changes during playback. The main advantage of DirectSound is that you can access one card from multiple applications simultaneously.

In a multitrack session, you can override the defaults for a particular track. The options available will be different than those described below. For more information, consult the documentation for the sound card. When a port is deselected, it is not available as a port option in the Audio Hardware Setup dialog box. If you hear skips or dropouts in playback, you can adjust buffer size: Double-click the Buffer Size numerical entry for an input or output device, and type a new value. Port Order If the selected device includes more than one port, click the Move Up or Move Down button to change the order of the ports for that device.

Full Duplex Select this to enable Adobe Audition to record an audio track while another one plays back, if the sound card is capable of doing so. Start Input First This determines the order in which Adobe Audition starts the sound card playback in and record out ports in a multitrack environment. Musical Instrument Digital Interface MIDI is a standard for communicating performance information from one piece of software or hardware to another.

To close the Preferences dialog box without changing any options, click Cancel. When you click OK, most changes take effect immediately.

If a change requires you to quit and restart Adobe Audition, you are prompted to do so. For example, you need to quit and restart Adobe Audition when you set up a different temporary folder. In the Preferences dialog box, click the General tab to access the following options:. Force Spacebar To Always Trigger Play Plays a file when the spacebar is pressed, regardless of which dockable window has focus.

Auto-scrolling takes effect only when you zoom in on a portion of a waveform and play past the viewed portion. To extend a selection, Shift-left-click. To see the pop-up menu, Ctrl-right-click. Mouse Wheel Zoom Factor Determines zoom behavior when you turn the mouse wheel on Intellipoint-compatible pointing devices.

Edit View Selections Determines the amount of waveform data that is automatically selected if nothing is already highlighted when you apply an effect. Double-clicking always selects the current view. Triple-clicking always selects the entire waveform.

Automatically selects the inserted audio after a paste operation. Deselect this option to of the inserted audio instead. Deselect this option to quickly append multiple segments of pasted audio.

To enable the non-default curve, hold down Ctrl when dragging on-clip fade icons in the Main panel. In the Preferences dialog box, click the System tab to configure how Adobe Audition interacts with your system:. Cache Size Determines the amount of memory that Adobe Audition reserves for processing data. Recommended cache sizes range from 8 to 32 MB 32 MB is the default. Because undo requires extra disk space for temporary files and extra processing time, you may want to turn this feature off.

Lower this number to free up more memory but lose more actions. Temporary Folders Lets you change the location of folders for temporary files, which Adobe Audition creates when you edit audio. All temporary files begin with AUD and have a. Adobe Audition normally deletes temporary files when it exits.

For the options below, click the Browse button to navigate to a new folder location. Ideally, it should be on your fastest hard drive. For best results, specify a different physical hard drive than the primary temp folder.

Auto-Save For Recovery Backs up files more frequently than needed for basic crash recovery. In Adobe Audition, basic crash recovery is on at all times. This option expands that feature, saving backups more frequently. Because this preference can affect performance, select it only if you experience frequent power failures or system crashes. In general, leave this option selected. Usually, after you finish with an Adobe Audition session, these clipboard files are no longer needed and just take up space.

Force Complete Flush Before Saving Disables the quick save feature, which lets Adobe Audition quickly save files that contain only minor modifications. If you select this option, Adobe Audition saves an internal backup copy of entire files, considerably increasing the save time for large files. Select this option only if you have trouble saving back to the same filename or you have a problem with the Adobe Audition quick save feature.

To delete invalid characters without replacing them, leave this box blank. Specify a different option only if you commonly open WAV files in a more unusual format. If you typically open files in one format, this option helps you narrow the displayed list of files. You can override the default format in the Open dialog box. If you typically save files in one format, this option makes the saving process more efficient.

You can override the default format in the Save As dialog box. In the Preferences dialog box, click the Colors tab to change the Adobe Audition color scheme:. Waveform Lists all elements to which you can assign custom colors. To change the color of an element, select it from the list and click the Change Color button below the Example display.

To choose one, select it from the pop-up menu. Save As Saves the currently selected color scheme as a preset. Delete Deletes the currently selected color scheme preset.

Example Displays the currently selected color scheme preset or customized color scheme. Change Color Opens the Color Picker, in which you can select a new color for the element selected under Waveform. The current color is shown in the color swatch to the left of the Change Color button. Selection Lets you adjust the appearance of a selected range. Preview your changes in the Example area.

Deselect this option if you want to set transparency for selected ranges instead of reversing the colors. This option is not available when Invert is selected. UI Brightness Drag the slider, click the arrows at either end of the brightness scale, or type in a percentage to change the overall brightness of the work area. Tint Colors all panels and dialog boxes with a tint you specify.

In the Preferences dialog box, click the Display tab to adjust the Spectral and Waveform Display modes:. Windowing Function Determines which method Adobe Audition uses to segment the spectral data before displaying it. Blackmann or Blackmann-Harris are usually good choices. Resolution Specifies the number of vertical bands used in drawing frequencies.

The larger this number, the longer it takes for Adobe Audition to render the spectral display. Performance varies according to the speed of your computer. This makes the display more accurate along the timeline left and right , but less accurate along the frequency scale up and down. Marker and range entries listed in the Marker List appear in the waveform as vertical dotted lines overlaying the audio, connecting the arrows from the top to the bottom of the display.

Show Grid Lines Displays grid lines in the waveform display. The grid lines mark off time on the horizontal x-axis and amplitude on the vertical y-axis. Show Center Lines Displays center lines in the waveform display. Show Boundary Lines Displays boundary lines in the waveform display. The value in the Display Lines At option specifies the amplitude at which the boundary lines appear.

Peak Files Specifies options for peak. Peak files make file opening almost instantaneous by greatly reducing the time it takes to draw the waveform especially with larger files. Larger values reduce the RAM requirement for large files at the expense of slightly slower drawing at some zoom levels. You can safely delete peak files or deselect this option; however, without peak cache files, larger audio files reopen more slowly.

In the Preferences dialog box, click the Data tab to control how Adobe Audition handles audio data:. All subsequent operations occur in the bit realm. Interpret Bit PCM.

Adobe Audition does most processing using arithmetic greater than bit, with the results converted back to bit when complete. During this conversion, dithering provides a higher dynamic range and cleaner results, with fewer distortions and negative artifacts. With this option enabled, you can approximate bit performance with bit data, because dithering increases dynamic range by about 10 dB.

If this option is disabled, audio data is truncated to bit during reconversion, and more subtle information is lost. The drawback of dithering is that each operation adds a small amount of noise at the quietest volume levels. Use Symmetric Dithering Enables symmetric dithering.

If it is not selected, a DC offset of one-half sample is added each time data is dithered. Symmetric dithering has just as many samples added above zero as below zero.

By contrast, nonsymmetric dithering just toggles between 0 and 1. Sometimes in a final dither, this may be desired to reduce the bit range of the dither. However, both methods produce identical audible results in every respect. Smooth Delete And Cut Boundaries Over Smooths cut and delete operations at the splicing point, preventing audible clicks at these locations.

Applies only the boundaries over the number of milliseconds specified in the edit box. Smooth All Edit Boundaries By Crossfading Automatically applies a crossfade to the starting and ending boundaries of the selection. This option smooths any abrupt transitions at these end points, thus preventing audible clicks when.

You can enter a value in milliseconds in the crossfade time box to specify the crossfade duration. Auto-Convert Settings For Paste When pasting different sample formats, Adobe Audition uses these settings when auto-converting the clipboard to the current sample format. Last updated:. January 15, User rating:. These products were released several years ago and are no longer actively supported by Adobe.

Users who bought a copy of Adobe Audition and other CS2 software can still download a copy from Adobe’s servers and get a valid installation serial key here. Search Downloads.

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